Use the Film Neg and Film Print tools inside Magic Bullet Looks, or just apply the standalone Magic Bullet Film effect to your shots for a quick, but customizable, cinematic look. We scanned an analyzed the results and used them to create Magic Bullet Film, which not only gives your digital video the look of real celluloid, it simulates the entire photochemical process. I spent a day with cinematographer and director Peter Lang and his amazing crew, shooting over hundred variations of film stock, processing, and developing techniques (along with Canon, Sony, and Arri digital cameras). The film was edited in Premiere, and when it came time to start the color work, we spent not a single moment conforming or converting, but just dove right into our grading, not worrying for a second about repos, speed changes, warp-stabilized clips, or transitions. I just colored an entire 5K Red Epic feature with a beta version of Colorista III, and the process was simply amazing. If this sounds like a big deal to you, I agree.
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